Alice Sara Ott brings Wonderland to Europe

ASO News

Nine city European recital tour throughout Germany and Norway

Alice Sara Ott brings Wonderland to European audiences this April and May with music from her new album for Deutsche Grammophon. As part of the nine city tour Alice will perform recitals in venues including Alte Oper Frankfurt, Liederhalle Stuttgart, Tonhalle Düsseldorf, Schloss Elmau, Philharmonie Berlin and Prinzregententheater, as well as in Grieg’s beloved Norway, in the Den Norske Opera in Oslo.

Grieg: Selections from Lyric Pieces
Grieg: Ballade in G minor
Liszt: Sonata for Piano in B minor


April 13, 2017, 8:30pm
Schloss Elmau, Elmau, Germany

April 15, 2017, 8:30pm
Schloss Elmau, Elmau, Germany

April 23, 2017, 6:30pm
Den Norske Opera, Second House, Oslo, Norway

April 25, 2017, 8:00pm
Liederhalle, Stuttgart, Germany

April 28, 2017, 8:00pm
Alte Oper, Frankfurt, Germany

April 29, 2017, 8:00pm
Philharmonie Berlin, Berlin, Germany

May 09, 2017, 7:30pm
Tonhalle Düsseldorf, Düsseldorf, Germany

May 10, 2017, 8:00pm
Hörsaal H1 der Universität, Munster, Germany

May 12, 2017, 8:00pm
Prinzregententheater, Munich, Germany

On her new album Alice Sara Ott takes us into the world of mountain trolls and elves, hills and fjords through a selection of Grieg’s works – his Lyric Pieces, as well as through selected piano versions of pieces from the Peer Gynt Suites, and one of the most famous works of piano literature: Grieg’s piano concerto in A minor, for which she teams up with one of the top orchestras, the Symphonieorchester des Bayerischen Rundfunks, under star conductor Esa-Pekka Salonen at a live recording.

photo credit: Deutsche Grammophon / Jonas Becker

selection Wonderland reviews

“…brilliant young pianist Alice Sara Ott takes us on a journey into the world of Edvard Grieg, complete with mountain trolls and elves, hills and fjords”
John Suchet, Classic FM

“In the selection of “Lyric Pieces” and some numbers from “Peer Gynt”, Ott displays a good range of expression, conjuring deep lyricism for “Solveig’s Song”, and light, glittering fingerwork for the regrettably titled “March of the Trolls””
Jessica Duchen, BBC Music Magazine

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