Read the Beethoven album review from International Record Review.
“Ott’s Beethoven is beautifully cleanly played, with subtlety and sensitivity alongside plenty of power and personality. The pedalling is minimal, and the veiled tone in the finale of Op. 53 is especially effective through half-pedalling the long phrases as is marked but often ignored, Her finger legato is pristine and the musicianship is never in question. The technical demands are superbly accomplished and whilst these are full-blooded readings they are conspicuously unhurried.”