Concert reviews from Alice’s concerts with the Antwerp Symphony Orchestra. Bachtrack: “She is an eye-catching artist, well-known now for her remarkable stage presence and she clearly knows how to create a rapport with an ensemble.”
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Concert reviews from Alice’s concerts with the Antwerp Symphony Orchestra. Bachtrack: “She is an eye-catching artist, well-known now for her remarkable stage presence and she clearly knows how to create a rapport with an ensemble.”
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“Barefoot and supremely talented, Alice Sara Ott shines in NAC debut”: Review from Alice’s performance of Grieg’s Piano Concerto with the National Arts Centre Orchestra.

Telegraph Ivan Hewett, 28 November 2017 “It may be a shallow score, but no one could have been disappointed by Alice Sara Ott’s delivery of the solo part. Very much the protagonist in the dialogue with orchestra, she displayed staggering power while sustaining tonal depth. Her rock-solid technique, mixing spitfire virtuosity with extreme delicacy, allowed her to shape the work …

Wonderland recital in St John’s Smith Square: 4* “technical brilliance” (The Guardian), 4* “magnificently cohesive” (Evening Standard)

Alice returned to Washington DC to perform Tchaikovsky’s First Piano Concerto with the National Symphony Orchestra.
“Everything about her was beautiful and elegant and of a piece, from her look to the fluidity of her runs up the keyboard.” The Washington Post

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